施伯松個人部落格The Blog of Shih Po-Sung

◎    口述整理：施伯松 

在最新一期的《親子天下》雜誌中，周美青以「重拾書法教育」一文呼籲台灣重視書法藝術。她指出，近年來日本、韓國，甚至一些歐美國家都在研習書法藝術，唯獨我們自己對於老祖宗的文化遺產未予以適當的重視，..當大家都到大陸學書法時.簡體字便變成主流.正體字的發展便更狹隘.所以台灣當局要致力於書法教育的國際推廣.也許再過幾年，書法就像端午龍舟一樣，變成韓國所宣稱的文化產物，與其屆時亡羊補牢，禮失而求諸野，不如即早未雨綢繆。

In the latest issue of "parent-child world" magazine, Zhou Mei-Qing to "regain calligraphy education" a man, urged Taiwan's emphasis on the art of calligraphy. She pointed out that in recent years in Japan, Korea, and even some European and American countries are learning the art of calligraphy, with the exception of our own cultural heritage for the ancestors did not give due attention .. when we all went to the mainland when studying calligraphy. Simplified Chinese characters will become the mainstream. is the development of characters will be even more narrow-minded. Therefore the Taiwan authorities need to focus on the international promotion of calligraphy. maybe a few years, Chinese calligraphy just like the Dragon-Boat into the culture of South Korea claimed the product is too late by then, courtesy lost in the resorting to wild, it is better immediate-early rainy day.

中國古璽印的基本知識

中國的璽印究竟產生在何處？歷來有許多看法，而歸納起來有如下數端：（一）三黃五帝說：漢代道家根據《春秋、運斗樞》記載「舜為天子、黃龍負璽」的傳說。認為早在三黃五帝即新石器晚期即有了印璽。（二）三代說：南朝史學家范曄在其《後漢出祭祀志》中說：「至於三王、俗化雕文、詐偽漸興、始有璽印、以檢奸萌。」這三王即指夏、商、周三代。（三）戰國說：跟先秦古璽、封泥實物多出於戰國時期，並參酌當時的商品經濟狀況論定。（四）殷商說：這是現在最為流行普遍的說法，由於近代考古的許多新發現，能更進一步佐證這個觀點的正確性，現詳述如下：